I
by LOGOS
-
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€6.90 EUR or more
-
Cassette + Digital AlbumNoble black cassette with silver on-body print.
Includes unlimited streaming of I via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 1 dayedition of 100Purchasable with gift card€9.90 EUR or more
-
-
Full Digital Discography
Get all 145 Dunkelheit Produktionen releases available on Bandcamp and save 70%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Everybody Should Be Punished, Nothing Makes Sense, Bewusstsein, Andere Sonne, Indulge In Primal Ecstasy, Erased People, Split, The Maldoror Sounds In Three Acts, and 137 more.
Purchasable with gift card€274.95 EUR or more (70% OFF)
1. |
The Grail Of Deception
07:34
|
|
||
2. |
Lilith Footjob Adorer
08:01
|
|
||
3. |
Qliphotic Vampyrism
16:27
|
|
about
After Womb 11 quickly rose to fame in Ritual Industrial circles and those select few that can fathom true Industrial madness in the old vein, the anonymous mastermind from the rugged badlands of Russia launches another sonic attack: Logos. Referring to the awakened inner divinity of divine intellect, Logos presents raw and analogue Harsh Noise, which utilises solely organic soundsources and renounces the usage of synthesizers and overdubs. This results in a dynamism and character which is often sought in vain in the bland, generic scene of our times.
The sounds themselves are nothing short of bestial and primal waves of chaos that always flow freely and proudly, while still seeming composed. The attentive listener may feel reminded of some of the current heroes of the international noise scene like Yana or Nuori Veri, whose approach and sounds also focus on less modern and slick presentation in favor of hands on organic results, but will also acknowledge the menacing darkness and occult death worship that looms behind the tasty variations and crumbling walls of morbid crackles and oscillating waves, reminiscent of 80ies obscurities. Although these respective aspects are all not new per se, the way Logos mixes and arranges them appears highly innovative and fresh, proving once again that contemporary Industrial Noise is certainly no soulless worship of a more glorious past, but as vibrant and alive as ever.
As opposed to some more juvenile interpretations found in lesser projects and some extreme metal, the genuine Qliphothic tradition of utter blackness forms a truly unholy union with the sound, making for a listening experience that is as unsettling to the unknowing as it is ecstatic to the initiate. Rough xerox artwork and track titles like „Qliphothic Vampyrism“ or „Lilith Footjob Adorer“ blend Industrial libertinage with the anti-cosmic ideology of Theistic Satanism, while still claiming a distinct identity.
Logos is Harsh Noise alchemy at its best and this debut is something that stands firmly opposed to the safe shallowness of our new age, while upholding the spirit of the earliest days of Post-Industrial madness in all its lawless glory. Due to its aristocratic nature, this is certainly not a crowdpleaser, but still highly recommended to the elect.
The sounds themselves are nothing short of bestial and primal waves of chaos that always flow freely and proudly, while still seeming composed. The attentive listener may feel reminded of some of the current heroes of the international noise scene like Yana or Nuori Veri, whose approach and sounds also focus on less modern and slick presentation in favor of hands on organic results, but will also acknowledge the menacing darkness and occult death worship that looms behind the tasty variations and crumbling walls of morbid crackles and oscillating waves, reminiscent of 80ies obscurities. Although these respective aspects are all not new per se, the way Logos mixes and arranges them appears highly innovative and fresh, proving once again that contemporary Industrial Noise is certainly no soulless worship of a more glorious past, but as vibrant and alive as ever.
As opposed to some more juvenile interpretations found in lesser projects and some extreme metal, the genuine Qliphothic tradition of utter blackness forms a truly unholy union with the sound, making for a listening experience that is as unsettling to the unknowing as it is ecstatic to the initiate. Rough xerox artwork and track titles like „Qliphothic Vampyrism“ or „Lilith Footjob Adorer“ blend Industrial libertinage with the anti-cosmic ideology of Theistic Satanism, while still claiming a distinct identity.
Logos is Harsh Noise alchemy at its best and this debut is something that stands firmly opposed to the safe shallowness of our new age, while upholding the spirit of the earliest days of Post-Industrial madness in all its lawless glory. Due to its aristocratic nature, this is certainly not a crowdpleaser, but still highly recommended to the elect.
credits
released September 1, 2022
All music by LOGOS. Recorded in Pskov, Russia in July 2022. Executive Production by Dunkelheit Produktionen. All Rights reserved.
All music by LOGOS. Recorded in Pskov, Russia in July 2022. Executive Production by Dunkelheit Produktionen. All Rights reserved.
license
all rights reserved
tags
about
Dunkelheit Produktionen Germany
Your Source for Occult Music and More
Impressum, AGB, Datenschutz, Widerrufsrecht, Zahlung und Versand:
goo.gl/5q78mK
discography
-
Jun 2024 -
Jun 2024 -
May 2024 -
Apr 2024
contact / help
If you like I, you may also like:
-
-
supported by 6 fans who also own “I”
go to album -
supported by 5 fans who also own “I”
go to album -
On her latest record, Margaret Chardiet explores the ways human beings destroy one another.
go to album -
Sefer Yetzirah (The Book of Creation)
by Yotzeret SheydimInspired by the first book of Kabbalah, Yotzeret Sheydim writes harrowing EBM tracks with surprisingly uplifting messages.
go to album -
"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
go to album -
supported by 5 fans who also own “I”
First song is a pleasant, monotonous wall of noise with lots of low-end. The other song ramps the intensity up and has a hypnotic synthesized metal quality to it.
go to album
